You Say I Am Still Beautiful, But I’d Rather You Told Me I Was Brave

You Say I Am Still Beautiful, But I’d Rather You Told Me I Was Brave

Sometimes the only pain I can carry is the one that burns, that draws blood, because beating myself up is the only bearable unbearable way I know to bruise. Shallow breaths don’t support screaming, starving turns dark thoughts lightweight and lightheaded means less space to care. Wait till you see my bones and how the hurt just falls off me when it has nothing to hang on to, wait till you hear my heart rupture and rush red through my ribcage like it was running for its life. Then watch how love pours out my arteries and leaves when it believes I’m better off empty. You touch this frozen, unfeeling skin but all this shrinking means I shall slip through your fingers. Taste me on the breeze, somewhere not here.

The Operation

The Operation

Direct the surgeon

to make the incision

side left, inbetween my ribs,

pausing to let the cut bleed.

I need something warm to feel on my skin at the end,

so let it trickle, leave its stain.

Insert the tube through to my chest cavity,

drain the fluid, and once I am coloured grey

then keep going

till this body fades away,

deflates,

disintegrates.

Donate my organs

to one who understands their value

better than I did,

who knows to love every breath these lungs take

and can tell each beat of our heart

it has always been good enough.

Digging Up My Body Parts

Digging Up My Body Parts

I wore a long-sleeved black dress;

chiffon, bow tied at the front

and floating,

floating but heavy.

You said I looked nice today

and I wheedled out a ‘thank you’ with a side joke

of ‘don’t I always?’

Just keep it light hearted, don’t think about it.

Keira Knightley plays Colette,

a true story about a man’s power

and a woman’s fight to recover hers,

but you’re oblivious to its significance

and the meaning saunters past you.

I think the meaning sauntered past him too,

last time I wore this black dress at the cinema.

I don’t remember what we watched

but I can point you to our seats,

describe how he was sat on my right,

sweaty hand on my leg crossed away from him,

eyes baring down into my skin

and my red summer shoes,

where no amount of clicking those heels

would ever get me home.

Exhibit A

Exhibit A

It’s called a safe

for it holds something

not meant for you to take

but to a cracksman’s fingers

it’s just another code to break

as the handprints linger

in every crack about the place

did you know the DNA from

one dead skin cell contains

the genetic make up of the face

that smirked

as it ripped out and replaced

all that was inside

with fakes

becoming just a case

burdened with waste

as the safe

still looks like a safe

but isn’t safe

in the most fundamental ways.

(I don’t know how much

bodies go for these days

but I doubt your exchange rate

was worth more

than the price I paid.)

Trigger TV

Trigger TV

When even broken bones

burns

bite marks

internal injury

Her story

Her reality

is not considered worthy

neither for a charge

nor being found guilty,

when even without

Her words should be

Enough.

Maybe

if being an amputee

wasn’t internal

then you could see

as clearly

She wasn’t privy

to the memo

from the CPS and jury

about what constitutes believable,

since giving a reliable account

takes a PHD,

and to what degree

She just takes up your precious time

being angry.

Tell me,

is it as much

as he took Her body?